Alberto Giacometti

Selected Works

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Alberto Giacometti
Buste d'homme, vers 1946
Bronze
56 x 16 x 16,2 cm
Fonderie Susse

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Alberto Giacometti
Homme qui marche, 1951
Plume sur papier
39 x 27,7 cm

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Alberto Giacometti
Tête d'homme de face, vers 1960
Stylo bille sur nappe en papier
30,8 x 16,9 cm

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Alberto Giacometti
Tête noire, 1962
Oil on canvas
41 x 32,7 cm

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Alberto Giacometti
Diego, vers 1955
Huile sur toile
68 x 36 cm

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Alberto Giacometti
Trois têtes d'hommes, 1959
Stylo bille sur papier
14 x 11 cm

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Some of the works depicted are no longer available.

Biography

Giacometti was interested in a symbolic form of reality, seeking to move away from the faithful reproduction of nature. He explored scale by creating tiny, filiform sculptures, while being obsessed with the idea of ​​creating a monumental work.

Alberto Giacometti (1901-1966) was a Swiss artist. During his youth, he was encouraged by his father, a painter by profession, to take up drawing, particularly portraiture. After studying at the École des Beaux-Arts in Geneva, he moved to Paris in 1922. He became a student of Antoine Bourdelle at the Académie de la Grande Chaumière. He frequented the artists of Montparnasse, a district that became his creative center. His first important works were influenced by Cubism and Surrealism, dominant in the 1930s, but also by African and Oceanic art. He became friends with writers, exhibited alongside Joan Miró and Jean Arp, and joined the Surrealist movement from 1931 to 1935. Giacometti was then interested in a symbolic form of reality, seeking to move away from the faithful reproduction of nature. In 1935 he returned to figuration, focusing on the live model, which led to his exclusion from the Surrealist group by André Breton. From this point on, his work focused solely on the essence of the human figure, drawing inspiration in particular from Picasso.
In the 1940s, he explored scale by creating tiny, filiform sculptures, while being obsessed with the idea of ​​creating a monumental work. In 1949, he married Annette Arm, who became his muse for many portraits. Often drawn, drawing was for him an essential preliminary step to sculpture. It was at this time that he created one of his key works, "L’Homme qui marche". In 1956, while continuing his reflection on the portrait, Giacometti represented France at the Venice Biennale, where he won the Grand Prix for sculpture in 1962. He then considered creating monuments for public spaces, but his health deteriorated. Suffering from cancer, he died, leaving behind the legacy of a foundation that bears his name.